Wednesday, June 30, 2010
Tuesday, June 29, 2010
Tabbouleh Song
Tabbouleh
Tabbouleh Tabbouleh
Makes me shake
shake shake my booty
Eat it with lots of falafal
Eat it on top of a camel
Dance.
Cuz it's the only beat
That's gonna stick in your head
and stick in your teeth
You gotta push push
Push the tush
When you eat an Arab salad
that is not fettoush
It's a hearty party
tasting yum yum
Taste that parsley
Shake your bum bum
In the club.
Don't need a shorty/cutie
All I need to take is
a bowl of tabbouleh
No we don't need hip hop
house or trance
Cuz this song about a salad
make you shake your pants
No we don't need groovy
techno techno
Just tabbouleh
in your head hole
Don't need bouncers
or velvet rope
I hope by now you
get the point
Don't need glow stick
or Red Bull vodka
You just gotta shake
where you make the kaka
First you take parsley from your sister
Chop it off like hand of shoplifter
Then take a tomato and dice it
don't forget to add all the spices
Then you take a half cup of burghul
Oh my God, it's gone taste so good
Yes this recipe is the bomb but
it tastes best when it's made by Mamma
In Lebanon
they eat it with coffee
In Libya
eat it with Quadafi
Jordan, Iraq
Bahrain, Saudi
Everybody love
the tabbouleh
In Syria
they eat it the fastest
and make sure to
shake shake Damascus
Them in Yemen
lemon the food-y
And Africa they
move move Djibouti
Tabbouleh
I hope I will finish
It to me is like
Popeye's spinach
but instead of getting
muscles in both arms
I get a moving groove
in my buttocks
Met a girl
She was a cutie
She said she'd
make me tabbouleh
But she made it
without the tomatoes
So I had to tell her
See you later
Monday, June 28, 2010
هذه ليلتي وحلم حياتي ... بين ماض من الزمان وآت
The Lyrics of my Birthsong
A Whiter Shade of Pale
Brooker / Fisher / Reid
| Album: Procol Harum … plus! (1998), The Symphonic Music (1995), + many compilations including Secrets of the Hive (2007), One Eye to the Future (2008) |
| Taking Notes and Stealing Quotes on this song |
| Words by Keith Reid The two verses printed here in green are not both available on any official record but they have quite often been heard in concert. The 'mermaid' verse is played on the Union Chapel Live DVD Read about the history of the 'extra' verses here [Roland from BtP notes: inspection of the typescript in Gary Brooker's album compiling all Keith Reid's original lyrics shows the order of the two 'extra' verses reversed, and reveals 'life', not 'love', in the 'ocean bed' verse (which enriches the Shakespeare quotation there in the same way as 'fandango' enriches Milton's 'light fantastic' earlier in the song). These two facts were first published in my liner note to Secrets of the Hive – to which Keith and Gary have both given the thumbs-up] | We skipped the light fandango turned cartwheels 'cross the floor I was feeling kinda seasick but the crowd called out for more The room was humming harder as the ceiling flew away When we called out for another drink the waiter brought a tray And so it was that later as the miller told his tale that her face, at first just ghostly, turned a whiter shade of pale She said, 'There is no reason and the truth is plain to see.' But I wandered through my playing cards and would not let her be one of sixteen vestal virgins who were leaving for the coast and although my eyes were open they might have just as well've been closed She said, 'I'm home on shore leave,' though in truth we were at sea so I took her by the looking glass and forced her to agree saying, 'You must be the mermaid who took Neptune for a ride.' But she smiled at me so sadly that my anger straightway died If music be the food of love [see note, left, about this verse + its opening] then laughter is its queen and likewise if behind is in front then dirt in truth is clean My mouth by then like cardboard seemed to slip straight through my head So we crash-dived straightway quickly and attacked the ocean bed |
WILLIE NELSON - A Whiter Shade Of Pale
Liza Veiga - A Whiter Shade Of Pale
A Whiter Shade of Pale 
From Wikipedia, the free encyclopedia
| "A Whiter Shade of Pale" | ||||
|---|---|---|---|---|
 | ||||
| Single by Procol Harum | ||||
| from the album Procol Harum | ||||
| B-side | "Lime Street Blues" | |||
| Released | 12 May 1967 | |||
| Format | 7" | |||
| Recorded | Olympic Studios | |||
| Genre | Psychedelic rock Progressive rock Baroque pop | |||
| Length | 4:03 | |||
| Label | Deram Records | |||
| Writer(s) | Gary Brooker, Keith Reid, Matthew Fisher | |||
| Producer | Denny Cordell | |||
| Procol Harum singles chronology | ||||
| ||||
"A Whiter Shade of Pale" is the debut song by the British band Procol Harum, released 12 May 1967. The single reached number one in the UK Singles Chart[1] on 8 June 1967, and stayed there for six weeks. (Without much promotion, it reached #5 on the US charts, as well.)
With its haunting Bach-flavored instrumental melody, soulful vocals, and unusual lyrics—by the song's co-authors Matthew Fisher, Gary Brooker, and Keith Reid respectively--"A Whiter Shade of Pale" reached #1 in several countries when released in 1967. In the years since, it has become an enduring classic. It was the most played song in the last 75 years in public places in the UK (as of 2009),[2] and the United Kingdom performing rights group Phonographic Performance Limited in 2004 recognized it as the most-played record by British broadcasting of the past 70 years.[3] Also in 2004, Rolling Stone placed "A Whiter Shade of Pale" #57 on its list of the 500 Greatest Songs of All Time.
More than 900 recorded cover versions by other artists are known.[4] The song has been included in many music compilations over the decades and has also been used in the soundtracks of numerous films, including The Big Chill, Purple Haze, Breaking the Waves, The Boat That Rocked and notably in Martin Scorsese's segment of New York Stories. Cover versions of the song have also been featured in many films, for example by King Curtis in Withnail and I and by Annie Lennox in The Net.
The original writing credits were for Brooker and Reid only. On 30 July 2009, Matthew Fisher won co-writing credit for the music in a unanimous ruling from the Law Lords of the House of Lords.
Recording and personnel
The song was performed and recorded at Olympic Studios, with Gary Brooker providing the vocals and piano, Matthew Fisher on a Hammond M-102 organ, David Knights on bass, and Ray Royer on guitar. Drums were provided by session drummer Bill Eyden. A few days later, the song was re-recorded with the band's then newly-recruited drummer Bobby Harrison. That version, though, was considered inferior, and one of the original mono recordings was chosen for release.
Producer for the record was Denny Cordell and Keith Grant was the sound engineer.[5]
The song was included on the original U.S. release of the Procol Harum album, but not on the UK version.
Lyrics
Reid told Songfacts that he got the title at a party, which gave him a starting point for the song.[6] He overheard someone at the party saying to a woman, "You've turned a whiter shade of pale," and the phrase stuck in his mind.[7][8] The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances by Procol Harum, and more seldom also the fourth.[9] The author of Procol Harum: beyond the pale, Claes Johansen, suggests that the song "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act."[8] This is supported by Tim de Lisle in Lives of the Great Songs, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys.[10] Other observers have also commented that the lyrics concern a sexual relationship.[7]
The phrase a whiter shade of pale has since gained widespread use in the English language, noticed by several dictionaries.[11][12][13] As such, the phrase is today often used in contexts independent of any consideration of the song. (See [14] for many annotated examples complete with links to original sources.) It has also been heavily paraphrased, in forms like an Xer shade of Y--this to the extent that it has been recognized[15][16] as a snowclone - a type of cliché and phrasal template.
Composition
The Hammond organ line of "A Whiter Shade of Pale" was inspired by Johann Sebastian Bach's "Sleepers, Wake!" and "Air on a G String", but contrary to popular belief, the song is not a direct copy or paraphrase of any music by Bach,[17] although it makes clear references to both pieces. This similarity is referred to in the 1982 play The Real Thing by Tom Stoppard and the 1991 film The Commitments. A yet closer melodic influence that is seldom cited can arguably[weasel words] be found in the organ choral prelude "O Mensch bewein dein' Sunde Gross" (O Man, Lament Your Sin So Great) from Bach's so-called Orgelbuechlein (Little Organ Book). The music also borrows ideas from "When a Man Loves a Woman" by Percy Sledge.[18]
Reception
The single was released on 12 May 1967 (UK, Deram Records). It entered the UK charts on 25 May 1967. In two weeks, it had reached number one, where it stayed for six weeks. All in all, it stayed 15 weeks on the UK chart. A May 1972 re-release on Fly Records stayed in the UK charts for a total of 12 weeks, and reached number 13 as highest. In the US, it reached #5 and sold over one million copies.
Chart positions: # 1 (UK), # 1 (Germany) , # 1 (Ireland), # 1 (Australia), # 1 (World), # 3 (Norway VG-lista), # 5 (USA Hot 100). "A Whiter Shade of Pale" also managed to peak at number twenty-two on the soul charts in the U.S.[19].
Over time, "A Whiter Shade of Pale" has earned extensive critical acclaim.
- It was named joint winner (along with Queen's "Bohemian Rhapsody", which also uses the word 'fandango') of the Best British Pop Single 1952-1977 at the BRIT Awards, part of Queen Elizabeth II's Silver Jubilee.
- #57 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time in 2004.
- British TV station Channel 4 placed the song at #19 in its chart of the 100 greatest number one singles.[20]
Authorship lawsuit
In 2005, former Procol Harum organist Matthew Fisher filed suit in the High Court against Gary Brooker and his publisher, claiming that he co-wrote the music for the song.[21]
Fisher won the case on 20 December 2006 but was awarded 40% of the composers' share of the music copyright, rather than the 50% he was seeking and was not granted royalties prior to 2005.[22]
Gary Brooker and publisher Onward Music were granted leave to appeal, and a hearing on the matter was held before a panel of three judges during the week of 1 October 2007. The decision, on 4 April 2008, by Lord Justice Mummery, in the Court of Appeal upheld Fisher's co-authorship[23] but ruled that he should receive no royalties as he had taken too long (38 years) to bring his claim to litigation. Full royalty rights were returned to Brooker.[24]
On 5 November 2008, Matthew Fisher was granted permission to appeal this decision to the House of Lords.[25] Lawyers say it is the first time the Law Lords have been asked to rule on a copyright dispute involving a song.[26] The appeal was heard in the House of Lords on 22–23 April 2009.[27]
On 30 July 2009 the Law Lords unanimously ruled in Fisher's favour. They noted that the delay in bringing the case had not caused any harm to the other party; on the contrary they had benefited financially from it. They also pointed out that there were no time limits to copyright claims under English law. The right to future royalties was therefore returned to Fisher.[28][29] The musicological basis of the judgment, and its effect on the rights of musicians who contribute composition to future works, have drawn wide attention in the music world.[30]
Video
The first video for the song was shot in the ruins of Witley Court in Worcestershire, England.[31]
The Witley Court video features four of the five musicians who played on the hit single: Gary Brooker, Matthew Fisher, David Knights and Ray Royer, in performance and walking through the ruins. Only the drummer in the video isn't on the record: early band member Bobby Harrison is seen miming to session man Bill Eyden's drumming. According to Shindig! Magazine's Procol Harum cover story by Alan Robinson (November-December 2009 issue - page 55), the video was directed by Peter Clifton whose insertion of Vietnam War newsreel footage caused it to be banned from airplay on the "Top of the Pops" TV show. The band subsequently made another video using "Scopitone" technology, but by this time, Robin Trower and B.J. Wilson had replaced Royer and Harrison in the band, so only three of the five musicians on the recording are represented, and no performance footage included - only the five musicians cavorting around London, running across fields, etc. This lineup, with Fisher in a monk's cowl, also mimed to the song on "Top of the Pops," and black and white footage of this performance has been shown online, perhaps constituting the third video of the song from 1967.
Glenn Hughes - A Whiter Shade Of Pale
Birth song
A while ago a friend tweeted a tool that tells you the name of the the number one song on the charts on your birthday. Awesome tool ..so of course I was very excited to know .. For me this is a very significant piece of information!
So, this is my birth song. This is the number one song that was playing when I was born! Isnt that profound?
These are pictures of the world as it was when I came into it! These people sang that song the day of my birth! Today!
I dont understand the lyrics tof this song. No one seems to understand them.... they sound profound .. dont they ?
the "truth" might be "plain to see" but the lyrics of this song arent as plain to understand.
Thursday, June 24, 2010
منو يدري بالباطن شكو - نرجس شوقي غناء عراقي -Iraqi song - Narges showqi
Highest Rated Comments
- 1 year ago 4
اقف علي قارعة الطريق
اتسول الحب والعشق والحنين
ابحث عن رجل كريم ,,
يهب لي بعضا من حبه ,, قلبه ,, او اقل القليل
ويح نفسي
وهبت قلبي
لرجل بخيل
مزقه ,شوههه ,وفي النهاية
القي به علي قارعة الطريق !!!
... - 1 year ago 4 Allah.......
If I were in her time.......
All Comments (15)
- انها اعنية رائعة حثا
- نرجس شوقي ليست مصرية! انها اما سورية او لبنانية، كانت في اواخر حياتها تعيش في بيروت، تزوجت من المطرب المصري محمد عبد المطلب
- اخييييييييييييييييييه على كلبي
اي والله منو يدري منووووووووووووووووووو
خلوني سااااااااااااااكت خلوني
الصوج كله منه اي والله سوده عليه وبيضه عليك
اي والله شقول لمي من اروح انكسرة الشيشه - نرجس شوقي مطربة مصرية استقرت كالكثير من الفنانين العرب في بغداد اذ كانت الحركة الفنية قي كل اوجهها مزدهرة و كما سماها الموسيقار عبد الوهاب بلد الفن فالاسماء الكبيرة التي تربعت على اسم المقام العراقي و الاطوار الريفية و الاغنية البغدادية
- أغنيه رائعه وصعبه جدا ... وبدايتها كأنها اغنية أنا من اقولن آآآه واتذكر أيامى
- أنا من كتر إعجابي بهذه الأغنية أريد أن أقدمها في حفلتي القادمة إن شاء الله هنا بأمريكا، في حفلة للموسيقى العربية. رغم إن إيقاع الجورجينة صعب علي كمصري مش متعود عليه لكن بالتمرين يجي. وعازف الإيقاع إللي معاي إيراني كردي عارف الجورجينة مثل أسمه
- والله هاي اغنية حلوة بس اول مرة اعرف انو نرجس شوقي مصرية معقولة
- 1 year ago 3 موبلمظاهـــــر
منو يدري بلبطن شكو...موبلمظاهـــــر
انا عشقت المحبوب...موبلمظاهـــــر
الحب عفه و أخلاق...موبلمظاهــــر
أعز منك ترة ماكو عليه
مع تحياتي
dele199
والأصعب هو أن تغني على إيقاع الجورجينا ومن مقام المخالف وكلاهما عراقي حصراً!